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Contact Juggling

Fire Eating & Circus Performance @ Shyamaween 2016

Fire Eating & Circus Performance @ Shyamaween 2016

It's always a pleasure to perform as part of the Boston Circus Guild! Once again I had the honor to head out to Philadelphia, PA to perform for M. Night Shyamalan's non-profit's Halloween bash. Unlike last year I was cleared to welcome the VIPs in with a fire eating set - though I admit that true to form, most attendees made a bee-line for the bar; hardly acknowledging either myself or my friend Ryan Freeze who was embodying this phenomenal Steampunk stilt-walker.

After the VIP reception we moved across the street to the main venue, The Foundry at the Filmore, and I made sure to stake my claim on the dance floor before it filled up to get some LED poi spinning in. After the crowd thickened I switched over to contact juggling, while Marina Petrano and Melissa Knowles continued to, quite literally, fit themselves into smaller and smaller spaces (that's how the contortionists DO).

I got to close the night's performances with my whip routine, cracking the heads off of roses. The came right on the tale of the auction, and well into the night when the audience was perhaps... less inhibited than they could be. Still, everyone was well behaved, and after Marina helped demonstrate some fancy contortion positions, we were able to get a few attendees up on stage to try it for themselves!

As with last year, I'm excited to have this opportunity again in 2017!

 Bad Boy Good Man - Contact Juggling @ Boston Circus Guild's Speakeasy Circus

Bad Boy Good Man - Contact Juggling @ Boston Circus Guild's Speakeasy Circus

This was a brand new contact juggling routine written specifically for this reboot of the Boston Circus Guild's Speakeasy Circus. I'd been wanting to write a piece that incorporated some of the hat-manipulation I'd been working on, and this seemed to be the perfect place to put it. This was also the first time I'd had the oppotunity to have as much feedback from members of the Boston Circus Guild during the piece's creation process. Being able to to bounce ideas off of members of the production team and fine tune the choreography truly helped make this a polished routine.

Speakeasy Circus

Well, the past four months have been amazing! The Boston Circus Guild just finished our first four month run as an Artist in Residence at Club Oberon. The Speakeasy Circus; one night a month, two shows a night!

This has been a fantastic experience, having the opportunity to really sink into a more fully fledged theatrical production has been rewarding on an artisitc level I don't often get to enjoy much these days. We had the pleasure to get feedback, not just from the audience and our peers, but from the American Repertory Theatre (A.R.T.) as well. Having the venue take such a personal interest in the success and development of the show allowed us to spend more time really getting the nitty-gritty details down; how does the light transition lighn up with the sound-cue and so on.

My fellow performers have been amazing throughout all of this as well. There's been handbalancing, corde-lisse, trapeze, tippy-lyra, contortion, group juggling, burlesque, hooping, and more!